Kontakt Ableton Mac

Configuring Kontakt For Live. Kontakt offers a lot of flexibility in routing MIDI to and audio from its huge library of sampled instruments. But along with that flexibility comes some configuration head-scratching and the occasional crashing headache. Ableton Live for Mac is software for creating musical ideas, turning them into finished songs, and even taking them onto the stage. With two views - the classic Arrangement View, where musical ideas are laid out along a timeline, and the unique Session View, where you can improvise and quickly experiment with musical ideas - Ableton Live for macOS is a fast, fun, intuitive way to make music. It’s been a long time coming Mac users, but here is a definitive guide to 5 free VST plugins for Mac OSX. They can be used in any music production program that support VST, but since this is a blog dedicated to Ableton Live, these are – of course – geared towards electronic music production. Nov 03, 2016 Ableton Live 9.7 Suite for MAC is an excellent digital audio workstation software developed to provide tools for editing and creating various musical compositions for musicians or producers to perform live onstage. Compared to other sequencers, this app appears more compact with a multitude of different parameters intended for a single screen usage so it may seem complicated to some. May 17, 2016 how to setup kontakt free edition. Ableton Live Suite 10.1.7 Crack Latest Version for Windows. It is full offline installer standalone setup of Ableton Live Suite 10.1.7 Crack mac for 32/64. Ableton Live Suite 10.1.7 Crack Latest Version for MAC OS. It is full offline installer standalone setup of Ableton Live Suite 10.1.7 for macOS.

1. Kontakt Ableton Mac Free

We show you how to integrate Kontakt with Live.

The easiest way to work with Kontakt in Live is to use a separate instance of the Kontakt plug-in for each Kontakt instrument in your song. In each case, just drag an instrument from Kontakt’s browser into its Multi Rack and start playing. That’s all well and good, but you’ll gain a lot of flexibility, avoid a few headaches and save some CPU cycles by using a single instance of Kontakt to hold all of your instruments and then using Live’s tracks and Racks to sort things out. With this approach, you drag all of your instruments into the same instance of Kontakt and set them up to use separate Kontakt MIDI inputs and audio outputs. That does take a little doing, so read on.Screen 1: You can use two Live tracks (left) or one External Instrument track (right) to access instruments in Kontakt’s Multi Rack.

The Ins & Outs..

One way to send MIDI to different instruments in Kontakt’s Multi Rack is to create a separate MIDI track for each instrument and set the track’s output to the Kontakt MIDI input for that instrument. Kontakt provides 16 MIDI inputs (A1 to A16), and the corresponding Live outputs are labelled by their number followed by the name of the Kontakt plug-in (for example, A2 appears as ’2-Kontakt 5’ in Live). To receive audio from different Kontakt outputs, create separate Live audio tracks and assign their input to one of the additional 15 stereo outputs available from Kontakt (the first output, labelled ‘Main,’ is reserved for the track holding the Kontakt plug-in). In Live, Kontakt output labels depend on the plug-in version used. The AU version pairs consecutive mono output numbers with the Kontakt plug-in name (for example, the stereo input comprising Kontakt mono outs 3 and 4 is labelled ‘3/4-Kontakt 5’). Although Live always shows the maximum number of audio inputs, Kontakt must be configured to use them. For the details, see the ‘Configuring Kontakt For Live’ box.

The separate-tracks solution is straightforward, but using two extra tracks for each additional instrument makes for a rather cluttered track list and the tracks cannot be frozen to save CPU cycles. You can capture Kontakt’s output by recording on the audio tracks, but in Live versions 7 and above, Live’s External Instrument device offers a better solution. Insert one on a new MIDI track and assign its MIDI To and Audio From as just described when using separate MIDI and Audio tracks. You can freeze External Instrument tracks.

..& Roundabouts

You’ll get a bit more out of Kontakt by making use of Live’s Instrument Racks. For example, you can create a real-time crossfade by combining two or more External Instruments in an Instrument Rack and then using the Rack’s Chain Selector as shown in Screen 2. For the crossfade, map one of the Rack’s Macro knobs to the Chain Selector and map the MIDI Mod Wheel (CC1) to that Macro knob. You could map the Mod Wheel directly to the Chain Selector, but the Macro knob is handy for on-screen changes and Live-supported control surfaces. Along with or instead of the Chain Selector you can use key and velocity zones to switch or crossfade between chains. For example, you might use key zones to separate orchestral parts in a multi-part MIDI clip.

Screen 2: Two External Instruments in an Instrument Rack on a single track crossfade between two Kontakt instruments (top). Clip-based Host Automation and MIDI Control Change messages modulate Kontakt instrument parameters (bottom).

Kontakt offers fully-featured automation, and at the top level it works like other Live plug-in device automation: click the Unfold Device Parameters triangle in the Device Title Bar, click the Configure button and then click controls in the Kontakt instrument’s control panel to add them to the Configure list. Once configured, you can apply track or clip automation as well as clip modulation to a control, as well as map device Rack Macro knobs to it. Two limitations to this method are that all automation and modulation must be on the Kontakt plug-in track, and only the controls on a Kontakt instrument’s control panel are accessible — controls on its Edit panel are not.

The alternative is MIDI modulation, which you can set up in several ways. The easiest way is to use Kontakt’s MIDI Learn feature: right-click any Kontakt control and then send a MIDI message from Live using a MIDI control surface or using MIDI sent from a Live Clip (this works for front-panel and Edit mode controls). Another option is to use a Max For Live device such as the Max MIDI Effect ‘CC128’ to send MIDI Control Change (CC) messages for Kontakt to learn. The Max For Live knobs that send these messages can be automated in Live. Your third option is to use Kontakt’s MIDI Automation panel — just drag MIDI CCs from the list and drop them on the desired Kontakt instrument controls. Many Kontakt instruments have MIDI CCs already assigned, so check this list first.

Configuring Kontakt For Live

Kontakt offers a lot of flexibility in routing MIDI to and audio from its huge library of sampled instruments. But along with that flexibility comes some configuration head-scratching and the occasional crashing headache. Here’s a quick rundown on how to set up Kontakt and manage its inputs and outputs in Live, along with a couple of tips for avoiding those headaches. The seven steps below correspond to the numbered labels in Screen 3.

Tension:A string physical model synthesizer. Collision:Physical modeling synthesizer. Electric:Electric piano tool. Operator:FM synthesizer. Sampler:Increase sampler. Ableton live 9.1 patch mac.

1. Create Kontakt instruments by choosing New Instrument from the Files menu. Alternatively, you can drag instruments directly into the Multi Rack from Kontakt’s Browser. You can distribute your instruments among four Multi Rack pages, each of which will hold 16.

2. Click the Output button to reveal Kontakt’s output section, which includes instrument and auxiliary (Aux) output channels. You can add and delete output channels using the buttons at the top of the Output display. Aux channels cannot be added or deleted. The screen shows two stereo channels along with the four obligatory Aux channels.

3. Click at the bottom of any channel strip to change, disconnect or rename its output.

4. Select the desired MIDI input channel and mixer output channel on each instrument’s control panel. The plug-in version of Kontakt provides 16 MIDI inputs labelled A1 to A16. The number and names of audio outputs depend on the version of the plug-in used. In any instance of Kontakt, different instruments can share the same inputs and outputs, but in the case of shared outputs, make sure that you bring them into Live only once.

5. You can save your output configurations as presets from the Presets/Batch Configuration menu. You can also designate a default preset and perform several handy batch operations from this menu, such as renaming the channels to match the instrument names or automatically reassigning the instruments to consecutive channels.

6. With the Show Inserts button enabled, you can choose from a bevy of basic Kontakt effects as either channel inserts or Aux effects. In Screen 3, Kontakt’s Delay and Stereo Modeller are inserted in Aux 1.

7. Routing to Aux buses directly from Kontakt instruments is revealed by clicking the Aux button (in screen 3, ‘EP10 Piano’ feeds Aux 1). You can also route audio to Aux buses from the Send Effects section of any Kontakt Instrument when in Edit Mode — each effect’s Return knob has a drop-down for that.

Screen 3: Here are seven steps for configuring Kontakt’s outputs, and setting up a couple of Kontakt instruments with different MIDI inputs and audio outputs.

WARNING: MODIFYING KONTAKT’S OUTPUT CONFIGURATION CAN DISABLE SOME KONTAKT OUTPUTS. Kontakt pops up a warning to this effect the first time you modify an output setting on a channel strip. Using different configurations in the same song might also disable some outputs. If either happens, save the song, quit and relaunch Live and then reload the song. To avoid output setup headaches, I recommend creating a default output preset using the maximum number of channels and then using only one instance of Kontakt per song.

Live supports 16 MIDI outputs to Kontakt and a maximum of 16 stereo audio inputs from Kontakt. Those are supported by both the Kontakt Audio Unit plug-in and the VST plug-in named ‘Kontakt 5’ — the ones named ‘Kontkat 5 8out’ and ‘Kontakt 5 16out’ support fewer audio outputs. The labelling of the VST outputs is a bit confusing, so I use the AU plug-in configured for 12 stereo output channel strips, and reserve the four remaining stereo outputs for the obligatory Aux channels. I fill Kontakt’s Multi Rack with 12 empty Kontakt instruments and route them to different MIDI inputs and audio outputs. I then save that Live track as my Kontakt template.

THE DEFINITIVE SAMPLING PLATFORM

• The industry-standard: KONTAKT powers the biggest selection of sampled instruments available
• Included factory library puts 55+ GB of detailed, creative, and expressive instruments at your fingertips
• Drag and drop your own samples into an instrument’s interface to use your own sounds
• Build your own instruments with powerful sample-editing and instrument-building options

MORE THAN A SAMPLER

Main GUI: KONTAKT 6 features a clear layout, with flexible adaptive interfaces, allowing huge creativity for instrument designers – as well as keeping things easy to navigate.

Library section: The Library browser lets you browse all the officially licensed KONTAKT PLAYER instruments you own (around 600 available), with over 2,000 more commercial libraries available via the File browser tab.

New Play Series instruments: KONTAKT 6 comes with the first three KONTAKT Play Series instruments: Powerful and streamlined, they are new twists on contemporary, release-ready sounds, with intelligent performance controls.

Retro Machines MK II: Included with KONTAKT 6, RETRO MACHINES MK II is a collection of 16 definitive analog synthesizers and keyboards. Lovingly sampled, it places the realistic sound of these classic machines at your fingertips.

How to open a downloaded drum rack in ableton software. You can also group multiple chains withina Rack using the same procedure. Note that if you repeat this command again on the samedevice, you will create a Rack within a Rack.

Factory Library: KONTAKT 6 also includes the KONTAKT factory library – hugely popular with our users, covering a huge range of sounds, from orchestras and world instruments to classic synths and drum machines.

Sampling and instrument creation slicing: KONTAKT is a powerful sampling tool, allowing you to import and record your own samples, then slice, map, and process them, to create custom instruments using the industry standard set of sampling tools. You can also drag and drop samples right onto an instrument, and KONTAKT will process and map them for you.

Extreme detail: KONTAKT enables hyper-realistic instrument libraries. Multisampling, intelligent sample switching, and more, mean playable sampled instruments are often indistinguishable from the real thing, right down to subtle playing techniques.

WHAT’S NEW?

Over two decades, KONTAKT has become a highly-developed engine for creating and playing sampled instruments. KONTAKT 6 offers more for players and builders alike:

• Introducing KONTAKT Play Series: Three new instruments for the KONTAKT library, offering pristine, contemporary sound in a creative and streamlined interface
• Wavetable synthesis module: Build hybrid instruments for entirely new sounds
• Modulate your sound with additional new effects taken from MOD PACK; Choral, Flair, and Phasis
• Drag and drop you own samples into instruments to use them with your own sounds and create one-of-a-kind results
• Enhanced effects: Even more effects for your creations, for greater expression and realism
• Creator Tools: New standalone application dedicated to improving the library creation and editing process.

GET THE DETAILS

THREE NEW INSTRUMENTS

KONTAKT 6 introduces the KONTAKT Play Series: New twists on sought-after sounds. Each places powerful, creative processing chains into a simple, intuitive interface. These hybrid instruments combine wavetable synthesis with creatively sampled content, allowing dynamic live blending and sound sculpting.
The instruments all feature eight carefully assigned macro controls, corresponding to the eight rotary encoders on our KOMPLETE KONTROL and MASCHINE hardware. These controls are mapped to numerous shared parameters behind the scenes, so you can change a sound dramatically with a single twist of a macro knob.

Analog Dreams

Ethereal Earth

Hybrid Keys

POWERING SAMPLED INSTRUMENTS

BUILDING INSTRUMENTS IN KONTAKT

HARDWARE INTEGRATION

Kontakt Ableton Mac Free